The Master’s Thesis: Synetic Theater’s The Master and Margarita
Toporov's formulation has become a commonplace of Russian literary criticism, a typologically equivalent "Moscow Text" has repeatedly been dismissed. This study outlines the common arguments for dismissing a "Moscow Text," suggests counter arguments, and proposes a model for analyzing Moscow space as a text in literary texts. The model is then used to prove the thesis that Moscow space functions as a text in M. Bulgakov's Master and Margarita.
Three prominent loci within the Moscow of Master and Margarita demonstrate the textuality of urban space in literary texts: the monument to Pushkin on Tverskoi Boulevard, Margarita's Mansion, and the Spring Ball of the Full Moon. Bulgakov cites the historical realia and the literary texts associated with Moscow's monument to Pushkin to develop the theme of the poet in the novel.
The semiotic principle of "labyrinthine Moscow" moskovskaia putanitsa enables Bulgakov to build the mysterious and ambivalent mansion osobniak that plays a central role in the paths of Margarita and Ivan throughout the novel. Language English Russian. Physical Description ix, leaves, bound : ill. Master i Margarita -- Criticism and interpretation. Russian literature -- 20th century -- History and criticism. Thesis M.
Reflective Statement for the Master and Margarita
Includes bibliographical references leaves Text in Russian, t. Language English Russian Dewey Number View online Borrow Buy.
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Textual Dimensions of Urban Space in M.A. Bulgakov's Master and Margarita
Also, Robert Pattinson, he is a big fan of reading and tries to read as much as possible. It is a fusion of Geothe's Faust, fragments of autobiography, an alternative version of the crucifixion of Christ, a tale of political repression and a meditation on the role of an artist in a society bereft of freedom and individuality.
The book does not have a readily describable plot as the narrative structure is intricate and complex, with several stories nestled in one; inside one narrative there is another, and then another, and yet another. The Master and Margarita begins by inter-weaving two apparently …show more content…. Woland also throws a spectacular ball for the dead, an annual event at the end of the trip. The second narrative that runs concurrently with the first for most of the book, rendered in a more somber, naturalistic style is an enigmatic and startling different retelling of the Christian gospel story of the last days of Jesus.
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